Exchange Place Studios – the space where I share a studio with Sharon Mossbeck – is hosting an exhibition from 29th April – 10th in parallel with Open Up Sheffield. The exhibition brings together Exchange Place artists of varying styles and disciplines, all working towards one common theme – ‘The Beast Within’
This theme opens up various means of interpretation. As such, I intend to use it as a chance to show brand new work and to use a new creative medium – the humble scented candle. I intend to use scented candles in a contemporary way – using scent to describe a narrative that speculates upon the idea that knowledge is a beast which we feed to further human endeavour.
The narrative, which takes cues from Ancient Eygpt and religious ritual, suggests that if you offer the essences of your body and mind to the beast of Knowledge they will be sacrificed for the good of human endeavour. However, the narrative also advises caution against feeding knowledge, as a collective sense of truth may compromise your own place within the world.
The narrative provides insight and metaphor for how we navigate our way through our own reality, learn from our experiences and how we sit on the axis between the realities of the wider world and our own personal battles. If you want to see – and indeed smell – the creation, why not pop down to Exchange Place Studios? There will be a Private View of the exhibition between 7-9pm on the 29th April. Do come along if you can!
Behold, my first attempt at a scented candle!
Not bad eh?
But why?! I hear you ask. Well, as well as it being a notable use for fragrance oils – which I have in abundance due to my perfumery pursuits – I am seeking to initiate and develop a new strand of work, which will re-purpose church spaces in an attempt to re-align art to religion.
My work tends to offer many layers of engagement whist also seeming relativity subtle- a studio space that isn’t actually a studio space; a perfume shop that isn’t actually a perfume shop; and now a shrine that isn’t actually a shrine. These shrines will speculate upon an existence for artists that draws parallels to a religion. The aim is to explore, speculate and create alternative functions for both creative and religious practice in order to attain a furthered and relevant understanding of them both within the present. Are art galleries the Cathedrals of the present day? Or can the very working of religion inform how art and artists function within society? Or both? Or neither?! And what would all of this look like?!?! Lets find out…