artist | playing with perfume | speculating on studio spaces | commenting with candles

Posts tagged “Lust

Nice to See You…

January always feels like a rather difficult month to instigate and artistic action. The excesses of Christmas last longer than they should; the cold winter air quells any motivation and then there’s the small matter of completing a tax return…

Luckily then, I have been able to take part in a group exhibition without hardly having to lift a finger, all thanks to no less an institution that the University of Chester – the university I graduated at in 2007.

IMG_20200124_175921516

Nice to See You to See You Nice is a group exhibition featuring work from staff, students and alumni from the University of Chester, and is housed at CASC – a fantastic contemporary space in the heart of Chester set up by the University.

My work – Seven Keys – is nestled between over 70 other artists, makers and designers each connected to Chester University. It’s great how the exhibition acts as such a social platform; the opening evening on Friday 24th January was a hive of conversations between Chester University affiliates, each brought together through artistic practice. Perhaps the exhibition will reaffirm some friendships, encourage collaborations or instigate further creative endeavour.

Seven Keys is a series of perfumes about love and lust. Presented are 7 perfumes; only one is a concoction of natural ingredients which represent the virtues of love. The rest comprise of synthetic oils and represent lust.

IMG_20200124_170235791

Seven Keys is a great introduction to the possibilities of perfumery – highlighting that with careful scent design perfume can house narrative and symbolism. The theme also lends itself to valentine’s Day, which is useful as Nice to See You to See You Nice runs until 12th March. The opening hours are Mondays – Tuesdays 10-4; Fridays 12 – 6; Saturdays 10 – 4.


Making in May

May has been a rather busy and productive month, as no doubt evidenced by my distinct lack of blogging. In between making perfumes for exhibitions, running workshops and playing with audio/visual equipment I’ve seldom had the time to sit, think and reflect. But guess what? Now is that time. So let’s have it.

The beginning of May saw me stage a group exhibition with arts collective Oracles, who focus of themes of loss, history and religion. The exhibition was staged at Halifax Minster, and was entitled ‘And …Forgive Us Our Trespasses’. It looked at the Seven Deadly Sins, with each artist choosing a sin each to respond to. Given the somewhat alluring connotations associated with perfume, the sin I chose was lust. My work, entitled ‘Seven Keys’ sought to tread the line between love and lust:

My work adhered to a simple premise; 7 perfumes are presented, six depicting lust and one depicting lust. The perfumes depicting lust contained synthetic ingredients, referencing the superficial, material workings of lust on the brain. The perfume depicting love housed only natural ingredients, referencing the inherent ‘realness’ of love, which can be subtle, quiet, but no less potent.

I believe this simple premise worked, allowing the audience to comprehend the artistic capabilities of scent design and it’s ability to house concepts and narratives, such as the Seven Deadly Sins. Conversations with the audience revolved around how I’d been able to harness the craft of perfumery for contemporary art ends, and how their expectations were somewhat confounded. This is always my aim, and to hear it relayed back to you is very gratifying.

Creative endeavours throughout the rest of May have centred on something not altogether connected with perfume. Rather, it has seen me create a short, somewhat irreverent film revealing the creative concerns of artists working in Sheffield. The film is imaginatively titled ‘Michael Borkowsky’s Art Thing’ though perhaps a more pertinent title would be ‘I Don’t Really Know What I’m Doing’. After all, this is the first time I have entered the realm of filmmaking and, if there’s one thing I’ve learnt, it’s that editing is the hardest thing in the world.

Still, creating such a piece of work has provided the opportunity to learn new skills and meet new people, such as Sean Maddison-Brown, who helped me present a segment of the film:

(Photo Credit – Vanitas Arts) 

I’m looking forward to the end result, and to making new films in the future. I will certainly streamline the process though. Can’t have my perfume based larks playing second-fiddle; Especially when an upcoming solo exhibition in Wolverhampton at Asylum Gallery looms.