As you may know, our crowdfunding campaign – which is raising funds for an artist led Valentine’s Day themed exhibition in Sheffield – is up and running and gaining momentum. The great thing about crowdfunding is that it initiates and strengthens community spirit: Giving anyone from any background the chance to become an intrinsic part of exiting artist led projects and the opportunity to directly support the arts locally and nationally. Our crowdfunding campaign is no different, and in return for your generous donation you will be cordially invited to our opening evening, credited in our exhibition and you can take advantage of some wonderful rewards handmade by the artists exhibiting – just in time for Valentine’s Day!
Indeed, whether you love Valentine’s Day or hate it, I’m sure you’ll agree that the diversity and quality of the rewards on offer is fantastic – and certainly bodes well for the exhibition! Here’s what our artists are offering as rewards:
Sharon Mossbeck – Love – £5 – Buy from here
Ever the contemporary art cross-stitcher, Sharon Mossbeck has created 10 of these simple yet elegant original postcard-sized cross stitch pieces. A perfect Valentine’s Day card alternative. Get ’em while you can!
Sharon Mossbeck – Love Token – £10 – Buy from here
For £10 you can take home this fabulous original piece of art. Gold leaf and acrylic on wood, this stylised, 4cm x 4cm depiction of an anatomical heart is the perfect alternative Valentine’s card. A wonderful chance to buy original art while backing our exhibition.
Sharon Mossbeck- Cross Stitch Kit – £10 – Buy from here
Sharon Mossbeck’s cross stitch kit provides you with everything you need to make a fair isle heart of your own. This unique reward designed entirely by Sharon herself makes an ideal Valentine’s Day gift. It can be yours for £10.
Gill Alderson – Portrait – £20 – Buy from here
Gill Alderson’s ‘Portrait’ is gold leaf and pencil on an egg shell. It is beautiful to behold and a truly unique and unusual piece of original artwork in it’s own right. This can be yours for £20, and you’ll also be cordially invited to any event we organise.
Michael Borkowsky- Love Potion – £25 (UK Only) – Buy from here
Referencing the historical links between perfume and medicine, fine art perfumer Michael Borkowsky has created a bespoke fragrance designed to attract the opposite sex while offering mental wellbeing! A blend of white musk, jasmine, vanilla, rosemary and a hint of apple in a sweet almond oil, this perfume captures the essence of sensuality and keeps your mind in good health! (UK Only)
Gill Alderson – Pendant – £35 – Buy from here
Artist Gill Alderson is offering this beautiful and intricate hand drawn pendant cast in real gold. Truly original and captivating, this can be yours for £35. A fantastic way of acquiring original work while backing the exhibition!
Sharon Hall Shipp – Constellation I – £45 – Buy from here
Constellation I is a wonderful and highly detailed original collage by artist Sharon Hall Shipp. 18x13cm mounted on thick paper, this is a captivating piece that cites dance steps, cartography, constellations and love as sources of inspiration. This is a fantastic chance to receive original art and support artists while backing our exhibition!
Lizzie Biscuits – Minimal – £100 – Buy from here
Minimal is a miniature costume wearing animal, and a much loved product of Lizzie Biscuits’ practice. Choose any animal you wish and allow Lizzie to dress them in a handmade outfit. A frog in a frock coat? A cat in a hat? A dog in a dress? Email your choice to firstname.lastname@example.org
…We hope you love some of the rewards our artists have made! If you’d like more information about our crowdfunding campaign, or would like to donate, share or get involved in some way, then click the image below
In the spirit of uncovering new directions for Perfume as practise, aside from using perfumery as a vehicle for portraiture. I present to you this fragrance, entitled Love Potion:
Referencing the historical links between perfume and medicine, this bespoke fragrance designed to attract the opposite sex while offering mental wellbeing! A blend of white musk, jasmine, vanilla, rosemary and a hint of apple in a sweet almond oil, this perfume captures the essence of sensuality and keeps your mind in good health.
Whats more, this fragrance is currently being offered as a crowdfunding reward. For £25, you get this 30ml perfume and you will also be cordially invited The Court of Love, a group exhibition at Exchange Placer Studios, Sheffield, that examines Valentine’s Day. Take a look here to support our crowdfunder, or to donate or share. Thank you!
We are currently crowdfunding for The Court of Love – our upcoming art and poetry exhibition examining Valentine’s Day at Exchange Place Studios, Sheffield.
The Court of Love is a group exhibition that sees artists and poets respond to the theme of Valentine’s Day. The exhibition itself is themed like a medieval court – referencing the first ever occurrence of Valentine’s Day which featured a feast, poetry competitions and jousting. Some artists have chosen to incorporate the theme in their work.
15 artists from around the UK will each deliver their unique and intriguing interpretation of Valentine’s Day. And poets who submitted to The Court of Love’s poetry competition will see their work displayed. In the spirit of competition, the public will get a chance to vote for their favorite poem, and the poet receiving the most votes will win a prize.
We hope that the exhibition provides a fun, intriguing and alternative Valentine’s Day experience. However, for the exhibition to be the best it can be, we need your help! Your contribution will pay for materials needed to stage the exhibition and a means to stage two special events. In return you can receive fantastic rewards & invitations to our events. This is also a wonderful chance to own fantastic original art works such as these:
Your donation will also help support artists and help further cement Exchange Place Studios’ presence as a prominent arts venue in Sheffield.
Click here to be sent to our crowdfunding page. Many thanks!
FUSE is an upcoming exhibition at The Holt, Sheffield that seeks to bring 10 artists from 3 different cities together under the theme of FUSE.
We aim to not only bring you diverse and intriguing approaches to the theme of FUSE, which each artist may interpret however they wish, but we also seek to bridge 3 different sets of artists and 3 very different cities – Liverpool, London and Sheffield. The action of providing a space for these artists to exhibit intends to encourage conversation, instigate relationships and develop working careers.
However, FUSE needs YOUR help! We are currently crowdfunding for the exhibition, enabling us to cover venue and travel costs.
If you donate, you’ll be rewarded not only with the knowledge that you’ve supported artists, but also with some fantastic perks and rewards – including original artworks and invitations to events. Here’s just some of the rewards on offer:
If any of this interests you, please to consider donating to the campaign as it will be very much appreciated. Please also feel free to share the campign with people you know as it will be great to expand our reach. here’s another link to the campaign:
A mere 8 months since my solo crowdfunding effort, I find myself once again involved in such a campaign! This time though, it’s a group effort.
SCI – an arts collaborative I am a part of – are looking to raise funds for the opportunity to exhibit internationally. Reaching our goal will enable at least two members of the collaborative to travel to Athens
This is a great opportunity for SCI to develop as a collaborative, and will also gives you a fantastic opportunity to purchase some unique and handmade pieces of work: From paper drawings to etchings, and from paintings to mixed media collages, this crowdfunding campaign has something for everyone. Your contribution will also support the arts and offer the chance for a group of artists to gain new opportunities and new ways of developing their careers, which is a brilliant thing to give.
We’ve made a fantastic start – already raising a quarter of the funds we need. But we still need your help! Any contribution or promoting of the campaign would be very appriciated. And I’d like to say thank you so much to those who have already engaged with the project.
You can find more information about the project and how to donate here: https://www.indiegogo.com/projects/sci-platforms-project-at-art-athena-2016#/
It’s a whole two months since my crowdfunding ended and, hidden between satisfying crowdfunding rewards and producing works for an upcoming exhibition in September, the materials I have been able to purchase from crowdfunding funds is beginning to arrive:
Yes, everyday I am awash with sheer joyous anticipation as I await the sound of the postman’s footsteps, wondering what scented delights he’ll grace my letterbox with this time. I Have purchased around £200 worth of materials – around half of my total crowdfunding funds, and I have around another £100 to use before my exhibition at Bank Street Arts in February next year.
Still, receiving materials is all fine and dandy, but also pretty useless if you don’t crack ’em open and start using them. Needless to say over the next four months I’ll be very busy, with an aim to create 50 perfume portraits of artists before February, taking into account all experimentation and complications. So better get on with t then eh?!
Once again, thank you so much to everyone who contributed to my crowdfunding campaign 🙂
And so, after 50 days of patience, persistence and promotion, my crowdfunding campaign has ended – although it will still be live for the next week, due to Indiegogo’s option to allow successful campaigns to remain live, so feel free to have a look, if you like!
It has achieved five pounds over the £500 target, would you believe? I am pretty elated by this, and also relieved that all efforts promoting the campaign have been rewarded.
I am very grateful to everyone who supported my crowdfunding campaign, and feedback towards the overall project – ‘Perfume as Practice’ – has been extremely positive and exemplified the crowdfunding achieving its target. Thank you so much, everyone! I can now think about how exactly I will spend the money, and how that money will enable my goals to reach fruition.
The only negative comments I have received centre around the project being over-ambitious. But then what artist isn’t over-ambitious?! Indeed, the comments raised failed to address the fact that the 100 perfumes I plan to make will contain a fair bit of experimentation, research, exploration and alchemy – they are essentially portraits and will be designed for artistic purposes only. I think the assumption was that I wanted to create 100 bespoke and branded perfumes of saleable and consumable quality. Which isn’t the case and in fact I wish to offer some kind of alternative to that.
So, was my crowdfunding a success? Well, yes I think it was. Hindsight, however, would suggest that a six-week crowdfunding campaign was too long. Four weeks would have sufficed as I don’t think I reached any more people during the final two weeks, and by then fatigue had set in. Crowdfunding can be quite a consuming beast, and now that it is over, I feel a little liberated and able to think about other stuff. This is just as well, as I am showing work at Wadsley Arts Festival this weekend and organising an exhibition at Exchange Place Studios the following weekend to coincide with Castlegate Festival. So I have plenty to think about!
If a week is a long time in politics, then how long is it for an artist? Well, to answer that awkward and clumsy self-imposed question, allow me to take you through my last 7 days.
It has been a week where I feel a very tangible sense of progression as I navigate my own unique way through the art spanning the industries of fine art and perfumery – all the while keeping my crowdfunding campaign ticking over. The 14th of May saw me complete a piece of work for LightNight at Tate Liverpool, to be exhibited the very next day for 4 hours. There is something quite joyous and immediate about such a swift exhibition – which took the form of a treasure hunt – I rather enjoyed the urgency of it all. There is a sense of intensity; of something temporarily grasping onto a space for dear life, only to disappear in an instant. Maybe it’s just me. Anyway, the piece I exhibited formed an extension of ‘Perfume as Practice’ – the residency I am currently running at Bank Street Arts, Sheffield, which looks at how perfumery can be used as portraiture. I asked fellow artist David Andrews what defines him as an artist. His response was analysed, investigated and interpreted until a perfume was concocted, revealing the true essence of who he is:
LightNight was brilliant. A great success, and good fun. A weekend of reflection ensued, which also involved a mammoth promotional surge with regards my crowdfunding – it’s going well, I just need £200 now – but it has been a massive effort. Its very hard to forget about it, and it’s always tempting to see if any more money has come in. That said, it’s very rewarding and a great gauge when considering how well received your project is. I’d do it again without doubt.
On Tuesday, I went to London accompanied by fellow artist Sharon Mossbeck. I have wanted to visit Barbican Centre’s latest offering – Magnificent Obsessions – since it’s opening in February. It didn’t disappoint. Indeed, it offered intrigue and inspiration for an upcoming collaboration with Mossbeck, which is based on a re-imagination of the ‘Cabinet of Curiosities’. Magnificent Obsessions offered an innovative way of thinking about artists and the perceived identity of artists. It shifts the dynamic that of the obsessive – an individual whose creative practice extends beyond the exhibition space. Food for thought when creating my Speculative Studio Spaces.
From Barbican Centre, we trot off to Illuminum Fragrances. I set up a meeting with them, as we have like-minded ideas about scent, perfume and what perfume can be. How they present their fragrances is beautiful – scent becomes almost visual, and takes centre stage. What is actually visual becomes minimum – an appendage to the scent, complimenting it and enhancing the experience of it. In terms of a display, it provided me with a great deal of inspiration regarding how my exhibition at Bank Street Arts could look. More than that though, I really loved just being there, in the room. There was a strange sense of familiarity about it. Compounded no doubt by how friendly and approachable everyone there is. I was even gifted an awesome bottle of perfume. How great is that?!
I would love to instigate some kind of collaboration with Illuminum, and will spend the weekend having a think about what we could create together.
And so I find myself here, within the realms of contemplation, as I consider exactly what’s next. I know June will be a bloody busy month; with my crowdfunding coming to an end, two exhibitions – including one I am organising myself – and preparation for a third exhibition at the beginning of July. It’s gonna be a big ‘un! Bring it on, I say!