January always feels like a rather difficult month to instigate and artistic action. The excesses of Christmas last longer than they should; the cold winter air quells any motivation and then there’s the small matter of completing a tax return…
Luckily then, I have been able to take part in a group exhibition without hardly having to lift a finger, all thanks to no less an institution that the University of Chester – the university I graduated at in 2007.
Nice to See You to See You Nice is a group exhibition featuring work from staff, students and alumni from the University of Chester, and is housed at CASC – a fantastic contemporary space in the heart of Chester set up by the University.
My work – Seven Keys – is nestled between over 70 other artists, makers and designers each connected to Chester University. It’s great how the exhibition acts as such a social platform; the opening evening on Friday 24th January was a hive of conversations between Chester University affiliates, each brought together through artistic practice. Perhaps the exhibition will reaffirm some friendships, encourage collaborations or instigate further creative endeavour.
Seven Keys is a series of perfumes about love and lust. Presented are 7 perfumes; only one is a concoction of natural ingredients which represent the virtues of love. The rest comprise of synthetic oils and represent lust.
Seven Keys is a great introduction to the possibilities of perfumery – highlighting that with careful scent design perfume can house narrative and symbolism. The theme also lends itself to valentine’s Day, which is useful as Nice to See You to See You Nice runs until 12th March. The opening hours are Mondays – Tuesdays 10-4; Fridays 12 – 6; Saturdays 10 – 4.
Earlier this month I had the privilege of staging Perfume as Practice SS19 at Lumen Crypt Gallery, London. The opportunity afforded me the chance to exhibit a solo show in London for the first time; bringing my unique approach to perfumery to a new audience.
I went into the exhibition with no real connections with the art scene in London, aside from a handful of artists I knew or worked with previously. As such, I didn’t have any expectations of how well my work would be received, or how many people would be in attendance over the 4 days. To that end, my exhibition can be deemed a relative success; it attracted the attention of over 75 people, I sold work, the exhibition was well received and, crucially, I established new connections with people and organisations – both in and out of the art world – that may well drive future development and collaboration.
The exhibition comprised a unique blend of perfume, portraiture and astronomy, with each perfume portrait adorned with a constellation. The aim was to reveal connections between artists; highlighting the thoughts, desires and motivations that drive creative action and bolstering the creative community by highlighting commonalities. I don’t know how well such notions translated into an audience experience, as most feedback centred around the unique nature of the exhibition and the delicacy of my scent design. This in itself did prove rather revealing, however, as it confirmed that my perfume making is becoming more competent.
Such is the nature of Lumen Crypt Gallery, using the walls is actually rather limited. This presented a challenge when designing visual work, as it had to be placed in the space with minimum intrusion. This actually made me work to a more disciplined brief and I think the work was better for it: I created a set of banners and assemblages that adhered to the theme of astronomy while enhancing the audiences’s experiences of the perfumes, resulting in a cohesive exhibition.
Exhibiting in London provided an opportunity to establish new connections while presenting my work to a new audience. To that end I’m very happy with what I’ve achieved. But alas, I cannot dwell for too long as my next solo exhibition – at Wolverhampton’s Asylum Gallery in June – will present a whole new opportunity. Onwards and Upwards!
Zoyander Street 50ml EDT
Head – Lime, Basil
Heart – Black Pepper
Body – Rosewood
Description: Exuding confidence and a proactive mental perspective, this fragrance is the perfect tonic for apathy.
This perfume was on display at Surface Gallery, Nottingham, from 2nd – 18th November.
FUSE is an upcoming exhibition at The Holt, Sheffield that seeks to bring 10 artists from 3 different cities together under the theme of FUSE.
We aim to not only bring you diverse and intriguing approaches to the theme of FUSE, which each artist may interpret however they wish, but we also seek to bridge 3 different sets of artists and 3 very different cities – Liverpool, London and Sheffield. The action of providing a space for these artists to exhibit intends to encourage conversation, instigate relationships and develop working careers.
However, FUSE needs YOUR help! We are currently crowdfunding for the exhibition, enabling us to cover venue and travel costs.
If you donate, you’ll be rewarded not only with the knowledge that you’ve supported artists, but also with some fantastic perks and rewards – including original artworks and invitations to events. Here’s just some of the rewards on offer:
If any of this interests you, please to consider donating to the campaign as it will be very much appreciated. Please also feel free to share the campign with people you know as it will be great to expand our reach. here’s another link to the campaign: