artist | playing with perfume | speculating on studio spaces | commenting with candles


An Open Invitation to Attend the FLUX Gallery Tour

And so, FLUX is now two weeks old, diving headlong into its third week, this art exhibition – brought to you by Exchange Place Artists and SOUP Collective which investigates the personal, social and philosophical aspects of change – will enjoy something of a second-coming over the next few days, with two exciting events planned.

P1000785Works of art from FLUX.

One of those events is a Gallery Tour, and will take place Tuesday 7th July from 2pm – 4pm. On offer will be the chance to meet no less than 4 of the artists involved – including myself. We will be on-hand to chat about our involvement in the exhibition and the work we have exhibited as well as the premise for how the exhibition came about, how it relates to the Castlegate area of Sheffield and how it was curated. We will also provide refreshments and the event is FREE. So why not pop along if you can? We’d love to see you!

Further details are available on our Facebook event page.

Thank you 🙂

Opinion – An Artist Navigating the Political Landscape

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Opinion – An Artist Navigating the Political Landscape

My thoughts towards the General Election, and what it means to me as an artist, haven’t really formed yet. I have a theory as to why this is, and it centers on the fact that I feel as though my work and career as an artist can exist and continue to grow in any event, regardless of the political landscape. I understand that this is a pretty naive and unsubstantiated view, and one what will be rigorously tested within the next five years. But it reflects two things: The relative momentum of my current practice and the fact that I’d like to think that I am resilient and astute enough to power through regardless. Is this naive? Probably, but I like to think of it as attempting to navigate my career through a Tory government positively and with the ability to use limitations to my advantage.

And it’s not to say I don’t care about politics, because increasingly I do. Especially when presented to me in a different and unexpected way – such as through the workshops, exhibitions, and events seen during Festival of the Mind in Sheffield last year. And of course something as massive as a General Election and what it means for the next five years of my life isn’t something I can just ignore. That’s why I’m writing this blog post, in fact – to see if putting my thoughts into words and placing them within a social platform can allow me to further understand them.

I didn’t vote for either Labour or the Conservatives (I didn’t vote for UKIP either, just for the record!) and I think that reflects my opinion that there is something about forging a career as an artist that is transcendent of politics – because being an artist is hard, and will be regardless of who is in power. You have to make opportunities happen for yourself – and work bloody hard in the process. You have to have fight, passion and an understanding of business. You’ve got to want it more than anything. It’s not as if opportunities would have started falling from the sky should Labour have been put in power. Post-election, various news articles appeared to present the narrative that, although Labour are currently weak and misguided, they are nevertheless the party we ought to have voted for. Hardly a ringing endorsement of an alternative government. Indeed, my career as an artist during the previous Labour government wasn’t exactly a bed of roses – I had to recover from two redundancies and increasing living costs. However, I was astute enough for my creative output to develop into something meaningful and – whatever happens in the next five years – I feel even more equipped now than I did then.

Actually, the more equipped I feel, the more compassion I feel for those less-so. I hate to find myself nodding sagely to the thoughts of Russell Brand, but something he said in a video post-election about needing to look after each other really hit home, honestly. Especially as I do have relative privilege – I don’t need to use food banks, I don’t rely on the NHS and I feel as though my career as an artist will survive just fine. Maybe instead of resting on these laurels I should be more supportive of the poorer and seek to further support the arts in Sheffield and beyond. Who knows, if we all rally round and help each other, we may end up with the strong and cohesive United Kingdom David Cameron says he wants – ironically though, it will be a consequence of his government, not because of it.

And don’t forget, art has the capacity to instigate social, moral and political change, and tends to have more potency when imitations are placed upon it. So get out there and create, support, be supported and be nice to each other!

Perfume as Practice at Open Studios

This bank holiday weekend I’ll be positioning myself firmly within the realms of Bank Street Arts as part of Open Up Sheffield – a city-wide event that invites everybody to have a mooch around artists studios.

I’m not a studio holder at Bank Street Arts, but I am a resident artist there, and as such, I have been given a chance to set up a space to talk about my residency, entitled Perfume as Practice, which looks at how perfume can be used to create portraiture.

I will also be talking about my crowdfunding campign, aimed at enabling me to buy materials for the prjoect. You can find more details about my crowdfunding campaign here: …or alternatively you can pop into Bank Street Arts either tomorrow or Monday and chat in person!