playing with perfume | speculating on studio spaces | investigating creative processes

Perfume as Practice at Surface Gallery

This November saw me open my 4th Perfume as Practice solo show – and the first one to be ran outside Sheffield. Perfume as Practice AW17 opened at Surface Gallery, Nottingham, on the 3rd November and runs until the 18th.

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This particular incarnation comprises 20 perfume portraits and 5 painted representations of constellations. I have chosen ‘Constellations’ as an overarching theme because it occurred to me that there are parallels between space and fragrance – both are mysterious, intangible and difficult to fully describe. So I deduced that placing them beside each other might extend our knowledge and relationship with both. 

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Once again, the exhibition has been well received, with my innovative approach to perfumery cited as a key point of intrigue. It’s been fun exhibiting in a city that has no pre-conceptions of my work, and it’s encouraged a deeper consideration of how fragrance can exist in a space relative to an overarching theme. I certainly think that the visual elements of the exhibition fully compliment the fragrances.

The fragrances, as ever, are achieved through a process that begins by asking artists the question ‘why do you make art?’ Then, through a established method of interpretation and investigation, relevant and meaningful fragrance are combined in order to achieve a perfume that captures the essence of each artist. It’s a process that is becoming increasingly honed, and the simple act undergoing this process for almost 3 years has developed my skills as a fine art perfumer. As such, I can appreciate the relative coherence of my my recent perfumes. Though hopefully this process will just see me continuously improve.

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Perfume as Practice continues at Surface Gallery until 18th November. 

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